08-18-2018, 02:46 AM
Hey,
First of all, let's get this out of the way, my apologies for posting about a topic that has been covered before, but despite a lot of searching and reading, I still don't quite feel like I've got to where I want to be. I'd really appreciate any pointers.
I've recently discovered MixBus, and I'm absolutely loving it. There's just one thing I can't quite get my head around.
I have a track that is a fairly standard rock arrangement - drums guitars, bass, vox, and backing vocals. I would like to do what I would normally do, and pass the drum mix and the backing vocal mix to their own groups. If I send these to their own mixbusses, everything works great, the mix bus channels sound lovely. Problem is, I want to be able to send these groups to the same master reverb that is being used by all the other tracks, also on a mixbus. This appears to be impossible.
So, it would appear there's two options.
First, set up the reverb (and I also use a delay in a similar way) as a aux channel rather than a mixbus, and then I can send both normal tracks and the mixbusses to it. Seems okay, but I get the feedback loop warning thingy, and also it just doesn't 'feel' quite right somehow.
Secondly I could set up the drum and backing-vocal groups as aux groups, and then set up reverbs and delays on the mixbusses, and send everything to them that way. Again, seems okay, but then I lose the whole point of the sound and convenience of the mixbusses on things like drums (with the tape saturation and 'that' sound).
I really don't want to go down the route of inserting inline reverb effects on things like drums and backing vocals just so they can live in a mixbus.
Equally, I'm aware that there's a stock answer floating about which goes something like "you gotta think like an analogue console not like a DAW" .. which I do genuinely understand and appreciate, but if this is the case, how would a big studio on a big Harrison desk go about this on a big record?
Sorry for long post, and sorry for covering old ground. Mixbus is superb, but you know when you get that slight feeling that you're missing just one silly bit of information .....?
First of all, let's get this out of the way, my apologies for posting about a topic that has been covered before, but despite a lot of searching and reading, I still don't quite feel like I've got to where I want to be. I'd really appreciate any pointers.
I've recently discovered MixBus, and I'm absolutely loving it. There's just one thing I can't quite get my head around.
I have a track that is a fairly standard rock arrangement - drums guitars, bass, vox, and backing vocals. I would like to do what I would normally do, and pass the drum mix and the backing vocal mix to their own groups. If I send these to their own mixbusses, everything works great, the mix bus channels sound lovely. Problem is, I want to be able to send these groups to the same master reverb that is being used by all the other tracks, also on a mixbus. This appears to be impossible.
So, it would appear there's two options.
First, set up the reverb (and I also use a delay in a similar way) as a aux channel rather than a mixbus, and then I can send both normal tracks and the mixbusses to it. Seems okay, but I get the feedback loop warning thingy, and also it just doesn't 'feel' quite right somehow.
Secondly I could set up the drum and backing-vocal groups as aux groups, and then set up reverbs and delays on the mixbusses, and send everything to them that way. Again, seems okay, but then I lose the whole point of the sound and convenience of the mixbusses on things like drums (with the tape saturation and 'that' sound).
I really don't want to go down the route of inserting inline reverb effects on things like drums and backing vocals just so they can live in a mixbus.
Equally, I'm aware that there's a stock answer floating about which goes something like "you gotta think like an analogue console not like a DAW" .. which I do genuinely understand and appreciate, but if this is the case, how would a big studio on a big Harrison desk go about this on a big record?
Sorry for long post, and sorry for covering old ground. Mixbus is superb, but you know when you get that slight feeling that you're missing just one silly bit of information .....?