Hey all,
I've got a mix with an electric bass part that's way too dynamic, and I've been wrestling with it to get it the way I like. When I mixed this in Studio One, the stock limiter does really good by totally squashing the low end really hard. I liked the results alot. It's really even and I don't hear any artifacts at all from that limiter, even completely crushing it the lows. In MixBus, I could not push the limiter that hard without artifacts. Same for KClip and L1 limiters.
I really wanted to use the onboard 32C console tools as a solution for this. I usually reach for leveler mode first, but this needed more, so I used compressor mode, pushing up the ratio and smashed the lows pretty hard...GR just past halfway down the meter for the loudest parts. I'm also applying the "bump" technique https://www.youtube.com/watch?v=HM8XSfaGJuw
I'm really happy with what I'm hearing now. It's really smoothed out and warm with no artifacts I can hear. I'd like to see if that's an approach you all use for bass with the 32C controls, or if there is a better approach.
EDIT: I tried the level with the same amount of GR and it's doing well too. Totally like what I'm hearing.
Thanks,
Donny
I've got a mix with an electric bass part that's way too dynamic, and I've been wrestling with it to get it the way I like. When I mixed this in Studio One, the stock limiter does really good by totally squashing the low end really hard. I liked the results alot. It's really even and I don't hear any artifacts at all from that limiter, even completely crushing it the lows. In MixBus, I could not push the limiter that hard without artifacts. Same for KClip and L1 limiters.
I really wanted to use the onboard 32C console tools as a solution for this. I usually reach for leveler mode first, but this needed more, so I used compressor mode, pushing up the ratio and smashed the lows pretty hard...GR just past halfway down the meter for the loudest parts. I'm also applying the "bump" technique https://www.youtube.com/watch?v=HM8XSfaGJuw
I'm really happy with what I'm hearing now. It's really smoothed out and warm with no artifacts I can hear. I'd like to see if that's an approach you all use for bass with the 32C controls, or if there is a better approach.
EDIT: I tried the level with the same amount of GR and it's doing well too. Totally like what I'm hearing.
Thanks,
Donny
Windows 10 64, HP Z-220 Workstation, I7 3770 16 GB RAM, RME Multiface 2, PCIe
Mac OS Sierra, 2012 Mac Mini, i5 16 GB RAM, Behringer XR18
Mixbus 32C 6.2.26
Harrison MixBus V5.2
Presonus Studio One 5
Statesboro, GA, USA
Mac OS Sierra, 2012 Mac Mini, i5 16 GB RAM, Behringer XR18
Mixbus 32C 6.2.26
Harrison MixBus V5.2
Presonus Studio One 5
Statesboro, GA, USA