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Introducing the 950mx Analog Console!
#1


Harrison Consoles Unveils 950mx Analog Console

Harrison Consoles is proud to announce the release of their newest analog console: the 950mx.

The 950mx is intended for facilities that need an analog monitoring, mixing, and summing solution when working with a DAW. It provides large-format console sound and construction while forgoing the expensive multitrack buses and inline monitoring features that have become less necessary with modern DAW workflows. The 950mx is the perfect centerpiece for a commercial recording studio, live 2-track recording rig, or project studio.

Harrison has been building consoles since 1975, and the 950mx incorporates design elements found across a wide range of console models such as the 32 Series, MR Series (2, 3, 4, 5 and 7), SeriesTen, SeriesTwelve, MPC and LPC.

The 950mx was designed by Harrison’s most experienced analog designers who were challenged to make the best-sounding, highest-spec analog console available today. The 950mx features a robust ground plane, gold module connectors, gold-plated switches, conductive plastic knobs, and fully-differential balanced I/O at every point. The summing busses are carried via PCBs, not ribbon cables. A custom-designed linear power supply provides rock-steady voltage for clean sound, robust EQs, and generous headroom.

The 950mx is the latest model in Harrison’s 950 series consoles, introducing various user-suggested improvements. All 950mx mono input modules now feature individually switchable, sweepable high-and-low pass filters, and 3-band sweepable EQ - featuring the same circuitry as the original Harrison 32-series consoles. Mono input channels also feature switchable inserts, a mic pre (switchable to a line input), 4 aux sends, 100mm P+G faders, 2 Mix Bus assignments, and a post-fader direct output. Stereo input modules feature switchable high-and-low pass filters, 3-band tone controls, balance, channel reverse, mono-sum, input trim, 4 aux sends, 100mm P+G faders, and 2 Mix Bus assignments. Another user-requested feature was the addition of an alternate speaker output.

The mono and stereo modules of the 950m and 950mx are interchangable. 950m users can arrange to have their mono channels updated to the reflect the new features of the 950mx.

The 950mx console features 2 discrete mixbusses, each offering a different flavor at mixdown. Mix Bus 1 features a transformer-balanced output, while Mix Bus 2 is electronically-balanced. The buses can be used separately or may be summed to achieve effects like parallel compression.


The 24-module version is now available in a standalone format with optional legs. For customers with existing analog gear, Harrison has designed a matching line of studio furniture to complement the 950mx console. These pieces include a “sidecar” which provides 10 rack spaces at the desk surface, and a 16-space standalone rack. Both pieces use the same laser-cut and powder-coated aluminum framing as the 950mx - providing a professional and cohesive look for any 950mx user.

Harrison has been a leader in analog technology and design since shipping its first console in 1975. Since then, many prolific artists have been recorded on Harrison-designed boards - from AC/DC to Zappa. The greatest-selling album of all time - Michael Jackson’s “Thriller” - was recorded and mixed on a Harrison 32c console.

For more information about the Harrison 950mx Analog Console, please watch this video from Harrison’s YouTube Channel:


For a listing of Harrison’s analog products, please visit Harrison Consoles: Analog Products

Like all Harrison products, the 950mx is hand-built at the company's factory in Nashville, TN
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#2
I have just seen all the videos and I personally wanted to congratulate you guys for the amazing console, sidecars. It looks gorgeous.
Plus all the web store and visual design improvements. I can smell you will be making tons of this consoles soon, so beware! =)
I've just started to wish my own 950mx, it would be so cool to have easier access to your products in Argentina!

Again, congratulations for your amazing tools!

Best,
Ignacio
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#3
We've released a new video detailing some of the workflow options available on the 950mx console:



Op updated.
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#4
(05-13-2014, 02:39 PM)Tim@Harrison Wrote: We've released a new video detailing some of the workflow options available on the 950mx console:



Op updated.

Amazing video Tim!
I was wondering if it is possible to add some kind of integrated per-track metering, like on the 32 series to the 950mx?
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#5
Beside each fader you will find a 4-segment LED meter: http://youtu.be/oPy3OQip4XQ?t=2m9s

Our thought was that most people will be feeding a DAW with the 950mx, and this will provide high-resolution meters on a video monitor which sits directly atop the console.

However it is certainly possible to develop a custom meter bridge. There is a "meter" feed from each channel.

Best,
-Ben
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#6
Cool
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#7
I envy this desk in a good way but I always have a question in my mind to ask Tim. Is this desk has a compressor builtin? ok lets say it doesn't. I don't know but does Harrison have a compressor rack which I can buy? if the desk is not offering I was thinking there must be some other way that Harrison provides that. And also I ask myself in this Era I believe the software when its come to compressor it does better job than the analog. Can somebody tell me?
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#8
(01-21-2015, 03:41 PM)Bereket Wrote: [Does] this desk have a compressor builtin?

Yes, the 950mx has a compressor on each of the 2 stereo master buses.

Quote:I don't know but does Harrison have a compressor rack which I can buy?

No, sorry. Maybe someday ....

[/quote]And also I ask myself in this Era I believe the software when its come to compressor it does better job than the analog. Can somebody tell me?
[/quote]

That's a loaded question. In many situations, software has huge advantages: for example it can have lookahead to catch peaks transparently (if you don't mind adding some delay) and you can have far more controls for a digital compressor than you can generally fit on a hardware compressor.

On the other hand, analog has some advantages if the signal goes "nonlinear" inside the compressor (either by design or if the compressor is overloaded). In that case, an analog compressor might have a more pleasing character than the digital version, which might exhibit aliasing artifacts.

I hope this helps!

-Ben
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#9
Thank you Ben for your answer and well explained. Big thanks.
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#10
Impressive hardware but... never saw 1 Harrison stuff in my country, even on shops. You can see ProTrolls Tongue, Neve, API, SSL, but never Harrison Sad Harrison is like the unicorn (not MOTU ^^) Sometimes you can find old stuff (but great for sure) as 2nd or 3rd hand stuff but never new stuff.
Can someone explain why ?
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